• Recent Posts

  • Recent Videos

  • Recent Comments

  • Tags

  • Site Archives

  • Main Content

    Archive for December 2009


    Bookshelf

    Bookshelf: The Mod Squad #3, The-Sock-It-To-Em Murders

    The Mod Squad #3, The-Sock-It-To-Em Murders
    By Richard Deming
    First Published December 1968
    Published by Pyramid Books
    160 Pages

    The Mod Squad ran for five seasons and 124 episodes on ABC from 1968 to 1972; a reunion telefilm was broadcast on May 18th, 1979. A total of six tie-in novels based on the series were released: Pyramid Books published five novels written by Richard Deming and Pinnacle Books published one written by William Johnston. Deming also wrote two hardcover stories for Whitman Publishing. This is the third of Deming's five novels for Pyramid. For the sake of total accuracy, according to the cover the title is The-Sock-It-To-Em-Murders but at least twice interior pages refer to it as The-Sock-It-To-Em Murders. Make of that what you will.

    Two versions of the novel were sold, one of which sold for 60 cents and the other for 75 cents. The covers feature minor cosmetic differences but otherwise are identical. I actually have both versions in my collection. Interestingly, Peggy Lipton is missing from the cover on both copies. Someone carefully cut her out of the 60 cent version (which also has a large, black X across the cover) and she has been torn off the 75 cent version. I've included scans of both versions for comparison. I've also quoted several passages to give a feel for the tone of the novel.

    I've never seen an episode of The Mod Squad -- you can watch a promotional spot for the series here -- but that didn't keep me from thoroughly enjoying The-Sock-It-To-Em-Murders. The bulk of the story takes place at a manufacturing plant and I will admit to having trouble picturing how it looked despite the fact that it was described in detail. I'm sure it would have worked much better on television. There wasn't much characterization present in the novel, although the members of the Mod Squad itself were given some distinct qualities.

    The Mod Squad #3 Front Cover (60 Cent Version)
    The Mod Squad #3, The-Sock-It-To-Em Murders Front Cover (60 Cent Version) - Copyright Pyramid Books
    The Mod Squad #3 Front Cover (75 Cent Version)
    The Mod Squad #3, The-Sock-It-To-Em Murders Front Cover (75 Cent Version) - Copyright Pyramid Books

    The plot of the novel involved suspected sabotage at the Boyer Fabricating Company and the Mod Squad's subsequent investigation. Here's how the Mod Squad was established as the novel opens:

    Captain Greer introduced the girl as Julie Barnes, the black youth as Linc Hayes and the white youth as Pete Cochrane. Linc Hayes was a lean, muscular, handsome six-footer with exceptionally white teeth--the front ones spaced slightly apart--and an African haircut. Pete Cochran was built along the same general lines as the black youth, but was an inch shorter and perhaps five pounds lighter. He too was good-looking, with light brown, curly, unruly hair and green eyes. Julie Barnes was a slim ash blonde with hair hanging loose to her shoulders and with brown eyes, delicate features and an exceptional figure. She had a habit of periodically pushing her long hair back from her forehead because it tended to get in her eyes.

    Before long, Julie, Linc and Pete are given jobs at Boyer by its president, Harry Nicholson, and begin getting to know their new co-workers, hoping someone will either know something or admit something. Julie becomes a member of the filing department (Nicholson informs her that the company requires its female office employees "to wear stockings, and dresses at least to the knees," to which she replies "I'll have to buy one.") while Linc and Pete become time-study engineers. Julie meets the rest of the filing department and takes a liking to most of them. For some reason, however, Winifred Crowley is less than friendly:

    Julie's smile faded. Despite her rather exceptional good looks, Julie was not the type whom less attractive women automatically disliked on sight. As a matter of fact she tended to get on rather well with other women. Perhaps Winifred was one of those unhappy females who resented all women younger than she was, she thought.

    No, Winifred has another reason to resent Julie. Her sister was supposed to get the job Julie was given. Winifred's uncle turns out to be in charge of the entire filing department and he appears to be playing a hard game of office politics. Julie strikes up a quick friendship with Dolly, one of the other girls in the filing department, and the two start having lunch together:

    Julie always felt a little guilty when she lunched with women on diets because she could eat anything she wanted to without gaining weight. Sometimes she was tempted to pretend she was on a diet jut to make the other woman feel better, but had decided that would be both dishonest and silly.

    As for Linc and Pete, they don't have much luck chatting with the men on the floor. Pete does meet and start dating a pretty timekeeper while Linc begins a relationship with Dolly. He takes her to the Black Velvet Club, a topless joint, hoping to impress her by not looking at any of the other girls. For her part, Julie goes on one date with the handsome and rich Byrant Fuller (also from the filing department) before deciding to decline any later dates. The Mod Squad doesn't think twice about mixing business with pleasure. Things soon become deadly serious when Julie's supervisor is crushed to death by crane-load of inch thick steel plates.

    The Mod Squad #3 Front Back (60 Cent Version)
    The Mod Squad #3, The-Sock-It-To-Em Murders Back Cover (60 Cent Version) - Copyright Pyramid Books
    The Mod Squad #3 Front Back (75 Cent Version)
    The Mod Squad #3, The-Sock-It-To-Em Murders Back Cover (75 Cent Version) - Copyright Pyramid Books

    When the Faxton Refinery Products Company wins a pair of contracts worth millions by underbidding Boyer, Harry Nicholson suspects the saboteur/murderer is working for Faxton. The Mod Squad agrees. While other officers dig up information on employees at Faxton, Pete decides to simply break into Faxton's offices and take a look at its pay-roll records. Linc reluctantly agrees to go with him. Julie stays in the car waiting to make a quick getaway. The two find the information they came for but then run into two teenager burglars, one of whom sets off an alarm by hitting a window with a sledgehammer. Pete and Linc are able to get away safely, however.

    Even with the name of the saboteur, the Mod Squad isn't any closer to learning who was responsible for dropping the steel plates. They only learn that the man in question is the cousin of the president of Faxton. A second attempted murder takes place before Pete and Linc learn that the cousin is none other than Byrant Fuller. Before they can nab him, however, Byrant kidnaps Julie after realizing she (along with Pete and Linc) are cops. He eventually decides to get himself an alibi and then incinerate her using the blast furnace at the Faxton plant. Pete and Linc show up before he can put his plan into action and save Julie:

    "Oh, Pete," she said tearfully," He was going to burn me alive in that furnace."
    Pete said soothingly, "It's all right now, Julie," and began to untie her bonds.

    As I mentioned earlier, I really enjoyed reading The-Sock-It-To-Em Murders, which is why this review is longer than usual. It was a little heavy on the technical aspects of manufacturing but the evolution of the sabotage mystery into a murder mystery was unexpected and the dialogue, although occasionally sexist and dated, was fairly realistic. If this was an actual episode of The Mod Squad I think it would have been fantastic. On the other hand, having never seen an episode of the series I may be drastically overestimating how well this story would translate to television.

    DVD Releases

    Coming to DVD in 2010

    Earlier today I took a look at the best DVD releases of 2009 and it seems proper to now examine some of the television programs planned for 2010. I've relied heavily on TVShowsOnDVD.com, which is the single best place for news about TV on DVD, and suggest everyone keep an eye on the site for releases I may have missed. Also keep an eye on the Warner Archive, which has already released a slew of made-for-TV movies through its manufacture on demand program, including Mayday at 40,000 Feet!, Earth II, City Beneath the Sea (an unsold Irwin Allen pilot), Man from Atlantis (the first of four telefilms that led to the short-lived weekly series), and a pair of unsold pilots from Gene Roddenberry: Genesis II and Planet Earth.

    The Archive of American Television Presents, a partnership between E1 Entertainment and The Academy of Television Arts & Sciences Foundation, has two releases planned for January 26th, 2010: Leonard Bernstein: Omnibus - The Historic TV Broadcasts, containing seven episodes of the series originally broadcast between 1954 and 1958, and Orson Welles - King Lear: The Historic Omnibus Production, featuring the October 1953 broadcast of Shakespeare's play. The Archive of American Television Presents released two sets in 2009: The Barbara Stanwyck Show - Volume 1 and What Makes Sammy Run?.

    Perhaps the most surprising release is The Goldbergs - The Complete Series, which was announced earlier this month. It won't actually include every single episode, given that many are considered lost, but reportedly Shout! Factory has pulled together some 60 episodes and will release them in "early 2010" through its direct to consumer program (pressed DVDs sold through their website). Another surprising release, which is just a rumor at this point, is When Things Were Rotten, which ran for 13 episodes on ABC in 1975. In September, TVShowsOnDVD.com reported that "things are looking good" for the complete series to hit DVD in 2010. Another rumor, this one from October, has ABC's It Takes a Thief (originally broadcast between 1968 and 1970) coming to DVD. One release that appears to be a bit more than a rumor is Van Dyke and Company, a 1976 variety series that ran on NBC.

    MPI Home Video plans to release The Rich Little Show, which ran for 13 weeks on NBC in 1976, sometime in 2010. In February, when I first wrote about another MPI Home Video release -- both seasons of The Mothers-in-Law -- I was surprised at the number of comments from fans eager to add the series to their collection. Unfortunately, the release was delayed but hopefully will come out sometime during the second quarter of 2010. Another delayed release is Big John, Little John, which now has an April 20th, 2010 release date. Finally, look for the first season of The Virginian on March 9th, 2010 from Timeless Media Group. It will be released in two volumes, each of which will contain 15 episodes from the 1962-1963 season.

    What release are you looking forward to the most? Are there any shows you hope to see released during 2010 that haven't been announced yet? If The Mothers-in-Law can make it, who knows what else may eventually see the light of day on DVD?

    DVD Releases

    The Best DVD Releases of 2009

    I don't actually own all of these DVD sets (or even most of them) so I'm focusing more on the simple fact that some of these programs were actually released rather than the quality of the sets themselves. According to the release schedule at TVShowsOnDVD.com a total of 1,087 DVD sets were released this year. That's just an overwhelming amount of DVDs. What was the single best release? If I had to chose I would say The Golden Age of Television from The Criterion Collection, which came out on November 24th, which features eight live critically acclaimed dramas from the "golden age" of television, including "Marty," "The Comedian," "Patterns," "Bang the Drum Slowly" and "Requiem for a Heavyweight." Originally broadcast between 1953 and 1959, they were later repeated on PBS between August of 1981 and March of 1982 as a special series also titled The Golden Age of Television, packaged with new interviews from cast and crew. These can be found on the Criterion release.

    Another live drama, "What Makes Sammy Run?," originally broadcast over the course of two weeks as part of Sunday Showcase, was released on February 10th by E1 Entertainment and The Archive of American Television Presents, having been "restored and re-mastered" with an audio commentary with Dina Merrill and Barbara Rush and an interview with Budd Schulberg. The Archive of American Television Presents and E1 Entertainment also released The Barbara Stanwyck Show, Vol. 1 on October 27th, with fifteen episodes from the one-season wonder that ran from 1960 to 1961, the unaired pilot episode and Stanwyck's Emmy acceptance speech. All three of these sets could be considered among the best of the year's releases, in my opinion.

    Other contenders might include Kukla, Fran and Ollie - 60th Anniversary Premiere Collector's Edition (released on August 11th), the first two seasons of The Paper Chase (released on April 7th and December 15th, respectively), The Guns of Will Sonnett - The Complete Seasons 1 & 2 (released on July 14th), Mister Ed - The Complete 1st Season (released on October 6th) and The Jerry Lewis Show Collection (released on December 8th). And who could forget Man from Atlantis - The Pilot Telefilm (released on October 6th)? Maybe even Bonanza: The Official First Season, Vol 1 & 2 (released on September 15th), The Patty Duke Show - Season 1 (released September 29th), Here's Lucy - Season 1 (released August 25th) or The Lola Falana Show (released on October 6th).

    Feel free to suggest additional titles in the comments.

    DVD Tuesday

    DVD Tuesday: More Nothing

    It's the final Tuesday of the year and, like last week, there aren't a lot of new releases. To be fair, last Tuesday saw just four releases while today there are a total of five, the oldest of which is from 2008. Ah, well, there's always 2010.

    Historical TV Ratings

    Nielsen Top Ten, October 9th - October 15th, 1972

    Here are the first ten programs from the fifth week of the 1972-1973 television season, which ran from Monday, October 9th, 1972 through Sunday, October 15th, 1972. There were a total of 63 programs broadcast during the week and The Los Angeles Times published the complete Nielsen report on October 26th, 1972. All in the Family was once again the top program for CBS, with NBC taking the next three slots with The NBC Sunday Mystery Movie (an installment of Columbo), The Wonderful World of Disney and The NBC Monday Night Movie (Firecreek). Rounding out the Top Five was ABC's Marcus Welby, M.D.. For the week as a whole, NBC was first with a 20.2 rating (up from a 19.4 the previous week), pushing CBS to second with a 19.8 (no change) and leaving ABC in third with an 18.0 (down from an 18.5).

    Here's the Top Ten, complete with Nielsen ratings:

    ## Program Net Rating
    1. All in the Family CBS 31.1
    2. The NBC Sunday Mystery Movie NBC 28.0
    3. The Wonderful World of Disney NBC 26.6
    4. The NBC Monday Night Movie NBC 26.2
    5. Marcus Welby, M.D. ABC 26.3
    6. Sanford & Son NBC 25.5
    7. Bridget Loves Bernie CBS 24.6
    8. Adam 12 NBC 24.5
    9. Hawaii Five-O CBS 24.1
    10. The Flip Wilson Show NBC 23.9

    I've broken down the evening of Tuesday, October 10th to see how each network performed and how their respective audiences flowed. But first, here's a table that shows how the networks fared from 10-11PM on Wednesday, October 11th when Cannon (CBS), SEARCH (NBC) and The Julie Andrews Hour (ABC) went head-to-head:

    Net Rating
    CBS 23.4/42
    NBC 15.8/28
    ABC 12.4/22
       
    Total 51.6/92

    Cannon was easily the top show for CBS, drawing a 42% share of the available television audience during the hour. Of all the television households watching television at the time, 92% of them were watching either ABC, CBS or NBC. Here's the Thursday, October 12th 8-9PM hour, which pitted The Flip Wilson Show (NBC), The Mod Squad (ABC) and The Waltons (CBS) against one another:

    Net Rating
    NBC 23.9/38
    ABC 17.6/28
    CBS 16.9/27
       
    Total 58.4/93

    This time it was NBC on top with a 38% share of the available audience; a total of 93% of televisions in use were watching one of the networks. Finally, here's a close examination of how the networks performed during the evening of Tuesday, October 10th. ABC's schedule consisted of Temperature's Rising, The ABC Tuesday Movie (Night of Terror) and Marcus Welby, M.D.. CBS had Maude, Hawaii Five-O and The CBS Tuesday Movie (Visions). And NBC started with Bonanza, moved to The Bold Ones and finished with NBC Reports. Although CBS started off strong, ABC was able to overcome the weak Temperature's Rising and win the night. NBC wasn't even close. Here's a table:

    Time ABC CBS NBC
     8:00PM 17.1/27 22.6/36 19.5/30
     8:30PM 23.3/35 24.1/36 19.5/30
     9:00PM 23.3/35 24.1/36 15.7/24
     9:30PM 23.3/35 18.6/30 15.7/24
    10:00PM 26.3/44 18.6/30 13.5/23
    10:30PM 26.3/44 18.6/30 13.5/23
           
    Average 23.3/37 21.1/33 16.2/27

    Based on the average figures, some of which required a little rounding, the networks enjoyed roughly a 97% share of the available audience from 8-11PM, with the remaining 3% watching public television or independent stations. I should note that without half-hour breakdowns it's impossible to be exact; if you notice, the share of the audience for the 8:30-9PM half hour adds up to 101%, because I'm comparing the average rating for all 90 minutes of The ABC Tuesday Movie with the average rating for all 60 minutes of Hawaii Five-O and Bonanza.

    Sources:

    "'Family' Still Top Show on Nielsen Poll." Los Angeles Times. 26 Oct. 1972: E32.

    Content Copyright (©) 2003-2013 TVObscurities.com. Copying from this site is strictly prohibited. No ownership of television shows intended or implied.
    About | Site Map | FAQ | Press | Disclaimers