When the National Broadcasting Company began regularly scheduled broadcasts using its experimental (non-commercial) station W2XBS in New York City on April 30th, 1939, the bulk of its broadcasts consisted of live telecasts from the New York World’s Fair. Within a few months, however, W2XBS was broadcasting one or two live dramas each week, along with sporting events, interviews, sketches and news, song and documentary programs, plus lots of films.
The dramas, typically an hour in length, were either original productions or adaptations of famous novels and plays. The New York Times reported on April 30th that radio scriptwriter Jack Hasty had been hired by NBC to pen shooting scripts for television . How many of his scripts were later used by W2XBS is unknown.
What follows is a list of some of the dramas broadcast by WX2BS in 1939. It is not a complete list and is drawn from television listings in The New York Times. Note that the dramas were usually shown on Tuesdays and Thursday until late October when they began airing on Fridays. I have no idea if there was a title for this series of dramatic plays.
“The Services of an Expert” Wednesday, July 5th, 1939 8:30PM – 9:30PM A one-act comedy by H.S. Keller, with Ethelyn Mateson, Alfred Alderdice, Maxine Roscoe and Lew Daly “Confessional” Tuesday, July 9th, 1939 8:30PM – 9:30PM A drama by Percival Wilde, with Wilmer Walter, Earle Larimore, Edmonia Nolley, Helen Harvey, Cliff Carpenter and James Spottswoode. “Missouri Legend” Tuesday, July 16th, 1939 8:30PM – 9:30PM By E.B. Ginty, with Dean Jagger, Mildred Natwick, Richard Bishop, Mady Correll, Sam Byrd, Norman Lloyd, Frank Twedell, Harry M. Cooke, G. Pat Collins, Hans Robert and Herman Lieb. “Hay Fever” Thursday, July 28th, 1939 8:30PM – 9:30PM By Noel Coward. With Isobel Elsom, Dennis Hoey, Wesley Addy, Virginia Campbell, Lowell Gilmore, Barbara Leeds, Carl Harbord and Florence Edney.“Dulcy” Tuesday, August 29th, 1939 8:30PM – 9:30PM By George S. Kaufman and Marc Connelly, with Helen Claire and Tom Powers. “The Streets of New York” Thursday, August 31st, 1939 8:30PM – 9:30PM By Dion Boucicault, with George Coulouris, Joyce Arling, Norman Lloyd “H.M.S. Pinafore” Tuesday, September 5th, 1939 8:30PM – 9:30PM By Gilbert and Sullivan, with Margaret Daum, Ray Heatherton, John Cherry, Colin O’More, Harry Donaghy and Alma Kitchell “Brother Rat” Thursday, September 7th, 1939 8:30PM – 9:30PM By John Monks, Jr. and Fred Finklehoffe, with Lyle Bettger, Edwin Phillips, Juliet Forbes, Anna Franklin, Marjorie Davies and Tom Ewell. “Art and Mrs. Bottle” Thursday, September 14th, 1939 8:30PM – 9:30PM Comedy drama with Ann Revere, Katherine Emery, Shepperd Strudwick, Dorothy Mathews, Jabez Gray, Thomas Speidel, Helen Wynn and Carl Gose. “Death Takes a Holiday” Thursday, September 21st, 1939 8:30PM – 9:30PM The cast includes: Kent Smith, portraying the part of “Death”; Ethel Wilson, Dennis Hoey, Frances Reed, John Clark, Stephen Kerappleby and Kay Strozzi, most of whom have played in Broadway productions. “The Butter and Egg Man” Tuesday, October 3rd, 1939 8:30PM – 9:30PM George S. Kaufman’s comedy, with Helen Twelvetrees. “The Night Cap” Thursday, October 5th, 1939 8:30PM – 9:30PM By Max Marcin and Guy Bolton, with Claudia Morgan, Harry Bannister and others. “Jane Eyre” Thursday, October 12th, 1939 8:30PM – 9:30PM By Helen Jerome, with Margaret Curtis, Dennis Hoey, Effie Shannon, Ruth Matteson, Carl Harbord. “The Dover Road” Tuesday, October 17th, 1939 8:30PM – 9:30PM By A.A. Milne, with Charles Webster, Marjorie Clarke, Maurice Wells, Marie Carroll, Richard Janaver and William Thornton. “The Milky Way” Friday, October 20th, 1939 8:30PM – 9:30PM By Lynn Root and Harry Clark, with Claudia Morgan, June Blossom, Ross Hertz, James Corner, Alec Cross, Fred Stewart, Paul Porter, Lowell Gilmore and Benson Greene. “The Fortune Hunter” Friday, October 27th, 1939 8:30PM – 9:30PM By Winchell Smith, with Gloria Blondell, Douglas Gilmore and Percy Kilbridge. “Happy Journey” Tuesday, November 14th, 1939 8:30PM – 9:30PM By Thornton Wilder, with the American Actors Company “Another Language” Friday, December 7th, 1939 8:30PM – 9:30PM By Rose Franken, with Ben Smith, Anne Revere, Dorothy Mathews and Kendall Clark “Little Women” Saturday, December 23rd, 1939 8:30PM – 9:30PM Dramatized by Marian de ForestBehind the Scenes Photograph from Hay Fever – August 13th, 1939
Copyright © New York Times, 1939 
On July 23rd, 1939 The New York Times declared that “those who look in seem to be in general agreement that television’s three hit shows on the New York air to date have been one-hour dramas: “The Donovan Affair,” by Owen Davis; “Confessional,” by Percival Wilde, and E.B. Ginty’s “Missouri Legend,” featuring Jesse James” . A review of “Dulcy” (originally broadcast Tuesday, August 29th, 1939) called the play “an amusing telecast” that “proved beyond all doubt that drama is one of television’s aces” .
But memory and good acting are not all of the qualifications; television gives more intimate views of the players. There are no footlights between the actors and the audience. The camera takes the audience right up on the stage. So the players must look their part; they must be telegenic, and that was another fature which made “Dulcy” by television a most successful show.
Never did the actors seem to be conscious of the devices that were suspended over them and peering at them to pick up every sound and move. If they made a mistake or had a slip of the tongue, they knew how to pass it by or quickly gloss it over in true theatrical style. 
Perhaps the most interesting aspect of the review was the following sentence: “Any idea that blondes do not televise was dispelled completely by Miss [Helen] Claire and Katharine Stevens, who as “Angela” added to the attractiveness of the telescenes” .
Less well received was “The Butter and Egg Man” (originally broadcast Tuesday, October 3rd, 1939). The New York Times noted the play “did not show up television to good advantage” and complained that “in the picture pick-ups one camera had a weak ‘eye.’ Half of the performers appeared light-struck, while the pictures flashed by the good ‘eye’ were sharp and clear” .
Another disappointing broadcast was “Treasure Island” (air date unknown):
Bold enough to attempt a telecast of Robert Louis Stevenson’s “Treasure Island,” the showmen at Radio City hit a low in production. It was too much for them; the action too scattered for the limited settings of the pill-box studio. The romance sailed off into space as one of the most amateurish telecasts so far. The “Hispaniola” struck a shoal of errors. 
Near the end of the year The New York Times called “Three Men on a Horse” (originally broadcast Friday, November 24th, 1939) “the most entertaining play to date” . From the review:
Already television can follow one rule and play safe: if the show has been a hit on the stage and screen and is properly adapted for telecasting it will be a hit on the air. That is why the farce “Three Men on a Horse” scored. Here was an exhilarating story dramatized by a cast of three to five actors on the screen at a time, which is ideal for television.
The telecameras are like a microscope on acting: they so easily and intimately detect the professional or amateurish touch. “Three Men on a Horse” was a professional job well handled by a telegenic troupe. And another factor in the production’s favor was that it was on the air a little short of an hour, broken up by two or three brief intermissions to give the eyes respite. 
W2XBS continued airing dramatic plays through July of 1940 when the station temporarily went off the air. I’ll discuss the 1940 plays at a later date.
1 “Notes on Television.” New York Times. 30 Apr. 1939: 184.
2 “Notes on Television.” New York Times. 23 Jul. 1939: X8.
3 “Televiews of Pictures.” New York Times. 3 Sep. 1939: X8.
6 “Televiews of Pictures.” New York Times. 9 Oct. 1939: 146.
7 “Televiews of Pictures.” New York Times. 12 Nov. 1939: 144.
8 “Televiews of Pictures.” New York Times. 17 Dec. 1939: 132.
1 From The New York Times, August 13th, 1939, Page X10.