Kraft Television Theatre broadcast some 585 episodes on NBC between May 1947 and October 1958. The series ran year-round with no summer breaks, meaning it didn’t have traditional seasons. I’ve aligned this status guide with episode lists and guides available online, like those found at TV.com, the Internet Movie Database (IMDb), and the Classic TV Archive (CTVA).
Season 4 of Kraft Television Theatre premiered on September 1950 and ended in September 1951. There were no pre-emptions this season. NBC broadcast 50 episodes, of which 12 are known to exist in their entirety. The Library of Congress has 12 episodes in its collection, one of which can also be found at the Paley Center for Media. The January 10th, 1951 episode (“Kelly”) was originally staged on January 25th, 1950 during Season 3. The Library of Congress, the Museum of Broadcast Communications and the UCLA Film & Television Archive all have copies of the 1951 version. No copies of the 1950 version are known to exist.
Keep in mind that just because the big TV archives/museums only have certain episodes doesn’t mean there aren’t additional episodes of Kraft Television Theatre from the 1950-1951 season out there somewhere.
Season 4: 1950-1951 | |||
# | Episode Title | Airdate | Status |
---|---|---|---|
177 | “The Green Pack” | 09/27/1950 | |
178 | “I Like It Here” | 10/04/1950 | |
179 | “The Great Broxopp” | 10/11/1950 | |
180 | “Old Lady Robbins” | 10/18/1950 | LOC |
181 | “Truant in Park Lane” | 10/25/1950 | |
182 | “Dolphin’s Reach” | 11/01/1950 | |
183 | “Sixteen” | 11/08/1950 | |
184 | “The Romantic Age” | 11/15/1950 | |
185 | “The Romantic Young Lady” | 11/22/1950 | |
186 | “Windows” | 11/29/1950 | LOC |
187 | “Short Story” | 12/06/1950 | |
188 | “Michael and Mary” | 12/13/1950 | |
189 | “The Village Green” | 12/13/1950 | |
190 | “Rip Van Winkle” | 12/27/1950 | LOC |
191 | “Paper Moon” | 01/03/1951 | LOC |
192 | “Kelly” | 01/10/1951 | LOC/UCLA/MBC |
193 | “Best Years” | 01/17/1951 | LOC |
194 | “The Spring Green” | 01/24/1951 | |
195 | “The Sound of Hunting” | 01/31/1951 | |
196 | “The Glass Mountain | 02/07/1951 | |
197 | “Engaged” | 02/14/1951 | |
198 | “The Fortune Hunter” | 02/21/1951 | LOC/Paley |
199 | “Jane Eyre” | 02/28/1951 | |
200 | “Delicate Story” | 03/07/1951 | |
201 | “On Stage” | 03/14/1951 | LOC |
202 | “Of Famous Memory” [Excerpts] | 03/21/1951 | |
203 | “The Silent Room” | 03/28/1951 | |
204 | “Yours Truly” | 04/04/1951 | |
205 | “Mrs. Dane’s Defense” | 04/11/1951 | LOC |
206 | “Mr. Mergenthwirker’s Lobblies” | 04/18/1951 | |
207 | “Brief Music” | 04/25/1951 | |
208 | “Brief Candle” | 05/02/1951 | |
209 | “Till Death Do Us Part” | 05/09/1951 | |
210 | “The Intimate Strangers” | 05/16/1951 | |
211 | “A Play for Mary” | 05/23/1951 | |
212 | “Ben Franklin” | 05/30/1951 | |
213 | “A Seacoast in Behemia” | 06/06/1951 | LOC |
214 | “Stranglehold” | 06/13/1951 | |
215 | “Only the Heart” | 06/20/1951 | LOC |
216 | “Merry Madness” | 06/27/1951 | |
217 | “The Adventures of Tom Sawyer” | 07/04/1951 | |
218 | “Vienna Dateline” | 07/11/1951 | |
219 | “Zone Four” | 07/18/1951 | LoC |
220 | “Bright Shadow” | 07/25/1951 | |
221 | “Kilda McKay” | 08/01/1951 | |
222 | “Old Doc” | 08/08/1951 | |
223 | “John Wilkes Booth” | 08/15/1951 | |
224 | “Pigs” | 08/22/1951 | |
225 | “Ashes in the Wind” | 08/29/1951 | |
226 | “The Easy Mark” | 09/05/1951 |
Revised April 10th, 2019
Firstly, thank you for all of your work and this information.
Secondly, I was born in Manhattan in mid-1954 and knew, from a very early age, that my parents had had involvement in early live television, beginning in Chicago around 1950 and then, in NYC. I heard the names ‘Kraft Television’, ‘Lux Video’ and other programs mentioned a number of times, as well as hearing my parents (mostly mom) discuss some of the later big-time stars having done the shows she had worked on. I heard the J Walter Thompson Advertising Agency mentioned more than a few times, too – although most of all of these references were made before I was fully able to appreciate them, and both parents are long gone, now. Mom was prone to exaggeration & (only) sometimes get caught out… however, after she died, I inherited virtually all of her fairly vast amount of never-thrown-out paperwork, and amongst it all, I found a few very telling things: One was a letter of recommendation from Stanley Quinn attesting to her work as his assistant. The other was her copy of two Season 4 scripts: ‘The Great Broxopp’ and ‘Ashes in the Wind – complete with her annotations – plus correspondence which showed that she had reserved rehearsal space for episodes, did rehearsal and costuming session scheduling, and she timed the (live) show – which she had spoken about to me. When i found these things, I was very rapidly winnowing down those inherited items during the 58 days between my retirement (in 2014) and my departure for a new life in South America – because I left with only a large carry-on backpack for that new life. A colleague agreed to keep / store the items which I said held historical value: She may still have them…
My reason for writing is that I spent much of my life realizing that both of my parents’ greatest work and contribution to that famous live era of NYC television occurred before my birth and so little of it remains. I cannot seem to prove much of what they did, although I have seen evidence [I have a photograph of my dad (Alan Paul Rhone) addressing Helen Hayes and George Abbott, backstage, during the period of the November 1953 Lighthouse Telethon for the Blind, and someone whom I didn’t even know provided a photo of the actual page of the TV Guide program for that event, which helped give me more context than I’d known]. Other than all of these things, I have never seen evidence of their involvement. I know ‘kinnies’ were both made and lost (even mom spoke about that). IMdB somehow manages to avoid any mention of crew names or titles other than episode producers, so I cannot even place my mom assisting Quinn that way.
I wonder if you might happen to have anything which could assist me?
I’m 69, now, and live in Vancouver, Canada.
Thank you soooo much,
R Paul Kerston
R Paul Kerston, all of IMdB content comes from its readers, so the only way crew names would be listed is if one of the readers adds them. I would suggest you try to contact the colleague you left documents with, and see if the person still has anything.